What You May Have Missed…

:::: Typography Game ::::

There's a new game for typography geeks.

"From I Love Typography comes the long-awaited, the definitive Font Game for iPhone & iPod Touch. Guaranteed to be absolutely the most fun you’ll have with fonts anywhere, any time, any place. Think you know your Arial from your Helvetica, your sans from your sans serifs?" – Appsolute.ly

"The U.S. Treasury refreshes its currency every once in a while to stay a step ahead of counterfeiters, and this time they’re refreshing the new $100 bill. The new bill will contain a security feature called Motion, where each bill will contain up to 650,000 microlenses embedded in the printing which will allow for an underlying image to shift when the bill is moved." – TechVert

"Artist, tinkerer and collector of dolls, Diem Chau meticulously carves characters into Crayons." – KidRobot

– Leigh (@kotobuki711)

Tweets You May Have Missed...

Each day there are upwards of 50M tweets (that's 600 tweets per second) being shared via the 75M+ users on Twitter.

How many of those tweets are by creatives? Who knows. One thing is for sure, the resources being provided through social media are seemingly infinite.

Here's a handful of inspiring linkage...

Conceptually these ads are successful in conveying both the accessibility of the brand and in specifying international coverage areas. And all without going anywhere near "ethnic" stock photography. Brilliant. (via @designyoutrust)

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The CSS animated color shift effect is only viewable in Safari or Google Chrome right now, but well worth a browser download. (via @TrentWalton)
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On April 1st, Starbucks "officially" introduced two new sizes... the Plenta™ (128 fl oz) and the Micra™ (2 fl oz). Being an environmentally conscious brand they included suggestions for post-enjoyment container usage. Of course, the monstrous Plenta could be used as a popcorn receptacle, rain hat, perennial planter, lampshade or yoga block. The itsy-bitsy Micra could serve as a convenient milk dish for kittens, soft boiled egg cup or paper clip holder.

Making fun of your brand - where appropriate - can truly be a fantastic marketing tool.

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We'll share more new and noteworthy tweets soon...

– Leigh

Is It Possible To Become Internet Famous Simply By Being Annoying?

My saintly mother often remarked that the squeaky wheel gets the oil. That is to say, if you complain about something loudly enough, and for a long enough time, you will eventually achieve your objective. She obviously did not consider herself subject to this rule, however, because, as a child, my squeak-to-oil ratio seemed to disprove her theory.

Regardless, it is a pretty fair assessment of basic human relations that the more vocal you are, the more attention will be paid to your endeavor. Of course, the results of continuous outspokenness may not always be the most desirable.

Although recent protests certainly raised global awareness, and may yet yield reform, “getting the oil” in Iran means also getting bullets, clubs and axes. For a liberal Russian journalist, “getting the oil” might be a euphemism for being poisoned. Uygurs in China are “getting the oil” right now, and their Tibetan neighbors have been getting it for decades.

Even in the US, the loudest leaders of popular causes garner as many character assaults as they do followers. Take note, Squeaky Wheels. The oil for which you thirst may be bitter, indeed.

On a more frivolous level, I have noticed that social-media-site-popularity is definitely commensurate with squeakiness—specifically on the Twitter. Hashtag strategies and courtesy follows notwithstanding, it seems that the best way to “get the oil” and attract a crowd of fans is to remind them of your existence hundreds of times a day.

The most successful nobodies on Twitter or Facebook are the ones whose fingers seem never to leave their keyboard or mobile device. There is a ton of advice out there about providing useful information, entertaining content, and shrewd insights, but it really seems to be the quantity of squeaks that “gets the oil.”

It’s not hard to spot the squeakiest wheels. Your feed is littered with their avatar. You know all of their food and beverage preferences. You know what music they like, and who their “friends” are. They are annoying and mundane, but compulsively addictive.

The Über-Squeakers employ a component of consistency in social media self-branding. Whether their patterns are inadvertent or intentional, the repeated themes seem to tip the oilcan dramatically. How else can one explain the exuberant and voluminous response to ritualistic pictures of bedhead and near-daily pants lamentations? (Not that there is anything wrong with brand consistency, or repetition to the point of exhaustion. This IS an advertising blog, after all.)

So, perhaps the best way to become Internet famous, at least in the social media sense, is to make the most noise possible about your three to five favorite topics.

Post status pictures of your inbox every hour.

Write daily updates about the shapes you see in your pet’s poop.

Alert everyone to rush hour conditions in your metro area, in the morning and at night.

Squeak away, squeakers, and open wide for the WD-40.

—Lisa

The Social Media Marketing Blog Post, Part II

I posted a blog entry on January 18th about the challenge of social media marketing. In it, I claimed that social networks were uncharted territory for advertisers and merchants, because the medium had not been conceived for the purpose of generating revenue.

Behold the naïveté of youth!

My father, an extremely important insurance executive, retired Air Force colonel and inventor of the internet (that’s right, Al Gore), read my blog, and politely pointed out that there had, in fact, been such “uncharted territory” before. Social forums neither motivated by capitalism nor precipitated by commerce HAD previously existed…less than fifty years ago.

Two words: Woodstock.

It was a head-slapping moment. Of course! The music festivals of the sixties and early seventies were cheap, non-commercialized gatherings of like-minded folks, created for the purpose of sharing music, art, ideas and experiences.

Sound familiar? Social networks are just like having super-sized, virtual, slightly-more-sober music festivals at work! Only YOU get to choose everyone who’s there. Love IN, my brothers and sisters!

And what was the fate of the music festival? Did it remain in its first incarnation as an affordable exchange of information and entertainment?

Of course not! It was bludgeoned to death by advertisers and merchants. From its carcass rose a revenue-generating machine, grimly rolling from town to town, swathed in logos, glutted with markups, bearing a greater resemblance to an overpriced swap meet than to a celebration of art.

Only the wealthy and spoiled can afford to attend the so-called festivals any more, much less purchase a bottle of water at the venue. The headliners are all proven-profitable standards, and the tents house up-and-coming studio acts, shoehorned into whichever genre is most popular with the kids that summer.

Where are the protest songs, poets and minstrels? Where are the free speech, free thought, and free water? Well, now they’re all on Twitter! (Except for the water, but I’m sure that’s coming soon.) Social media is every bit as powerful a movement as anything put forth in the Sixties, but with a gazillion times the reach. It makes celebrities out of unremarkable people like Guy Kawasaki and Ana Marie Cox. It played an integral role in getting our president elected, for pete’s sake! Do you think for one second that Capital “B” Business is going to ignore that kind of opportunity for megaphone-on-steroids exposure?

Of course not! And they haven’t. The advertisers and entrepreneurs of the world are chip, chip, chipping away at the pie-eyed purism that spawned social networking. The very creators of Facebook, YouTube and MySpace have all sold their young to corporations who erode their authenticity from the inside out. Sure Crispin Porter + Bogusky got busted for their fake Burger King profile, but how much SPAM now recklessly dilutes, unchecked, the flow of real information and insight online?

Is social media headed for the same bleak destiny as the music festivals of the Sixties? Will idealism and societal evolution be drowned once again in a sea of corporate sponsorship? Is Dave Young correct in declaring that the pendulum is swinging back, and we won’t see this kind of revolution for another forty years?

Fortunately, my dad says, “Probably not.” He knows that social media is in its infancy, and that we have not yet begun to develop its potential applications. There is no reason why, as the social cybersphere is mapped out, that there cannot be room allotted for free exchange of thought and art, as well as venues for marketing and commerce. Each arm must support and, in fact, drive the other. Trade relies on communication. Communication relies on trade.

Instead of bellowing Cassandra-like about the impending demise of social media as we know it at the hands of Capitalism, let us take Woodstock as a cautionary tale, and proceed with greater thought and responsibility as we supplement social networks with social marketplaces. The Twits are counting on us.

—Lisa